| Thomas McClary, like drummer Walter Orange, hailed from Florida. Thomas came to
        The Tuskegee Institute to study and there, in the registration line, he met Lionel Richie.
        Together they put together a six men strong outfit called The Mystics. When keyboardist
        Milan Williams was drafted from another school-band, The Jays, the group changed its name
        to The Commodores. This was the first edition of The Commodores, which recorded a single,
        "Keep On Dancing", on Atlantic Records in 1969. Guitarist Thomas McClary's
        first instrument had been the ukulele, something which heavily influenced his playing
        style and made it damn near impossible for copy-cats to imitate. Among the songs Tommy
        wrote by himself are "Cebu" and "Sexy Lady", but he primarily
        collaborated with Lionel Richie. Together they penned "Hold On",
        "Free", "Girl, I Think The World About You", "High On
        Sunshine", "Come Inside", "Funny Feelings", "Heaven
        Knows", "Won't You Come Dance With Me", "Flying High",
        "Visions", "Midnight Magic", "12:01 A.M.", "Got To Be
        Together" and "Wake Up Children". McClary also composed
        "I Feel Sanctified" (with the group and Jeffrey Bowen) "You Don't Know That
        I Know", "Let's Get Started", "Brick House" and "Too Hot Ta
        Trot" (with the group), "Slippery When Wet" (with Walter Orange),
        "Time" (with William King), "Celebrate" (with Larry Davis and Harold
        Hudson from the Mean Machine), "Saturday Night" and "Keep On Taking Me
        Higher" (with Harold Hudson).  After Lionel Richie had
        departed from The Commodores (and had taken "their" producer James Anthony
        Carmichael with him) The Commodores began to produce themselves. For their first
        Richie-less LP "13" in 1983, Thomas McClary produced "Captured"
        (co-written with Linda McClary), "Welcome Home" (co-written with Bill Champlin)
        and "Ooo Woman You" (co-written with Melissa Manchester). In addition, Thomas
        sang lead on the last-mentioned song. Also in '83, he co-wrote
        and produced "Inside Me", "Flashback" and "Burning Hot" for
        Klique's "Try It Out" LP and wrote and produced four tracks on bassist Michael
        Henderson's "Fickle" album. "Feeling Like Myself Again" and "Love
        Will Find A Way" were written by McClary and "Assault With a Friendly
        Weapon" was co-written with Henderson. Included was also "Thin Walls", a
        track he penned with Sue Schiffman and Sue Pomerantz.  In August, 1984, McClary
        left The Commodores and released his eponymous Motown solo debut. He re-recorded
        "Thin Walls" and that single reached R&B #57. The second forty-five
        "Man In The Middle" failed to chart. McClary produced the LP and wrote/ co-wrote
        the entire set. The following year, 1985, he once again worked with Klique. He produced
        "A Woman, A Lover, A Friend" and "Cry Baby" for their "Love
        Cycles" LP (1985). 
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